My Fleeing Hands


I switch on the lamp.


H, I had two different thoughts, one of ceasing to be.


“I’m sorry, I connect nothing with these words.”


W fails to recognize H at the station

and H writes that this only reenacts a trauma

in childhood where his mother would pretend not to recognize him

and H would say, But Mama, it’s me

it’s your H.


Here, under the dim café light the surgeon is a solicitor for wounds.


H fails to recognize the hand of St. Paul

who hands me a translation.


“I’m sorry, I connect nothing with these words.”


Nothing, mind you, excludes the possibility

everything organized according to

whether you’re happy or unhappy.


If a dead person sits up

what worries me is: my fleeing hands.






Here Under the Dim Cafe Light


Try to remember

the hand is, among other things, a complex symbol


it comes thru the window it comes thru the ages

it stops for awhile it rests it becomes dated detached

it begins to rot the rings come off

we go after each other

the hand badly placed, the fingers crisped

useless as holes underwater


a living room the dead walk.


When they ask my name, I want to know, exactly

the position of their hands.


They are inside me where I can’t see them.

They get out everyday and then jump back in.



brent jenkins