tanya larkin
tanya larkin
Essay on Style I.
I care about style but it’s not everything
it’s only anything insofar as it’s unnecessary
insofar as I need it to survive killer boredom
the sad pulp of late afternoon, the sublime
languors of a loved one as he or she decides
to have me or not. Therein lies the paradox
of style staining the couch with sweaty dreams
of being something more than a misty crossroads
where one waits to be assumed or absorbed
by the ether by a higher truth in the margin
the blacked out fields where desire is still
wanting to die. That’s the nature of desire.
It wants to put its fully-involved flaming self
out. But in the crossroads you keep it alive
drinking a flight at the shrine stealing days-
old offerings splayed fruit and silk flowers
you wear it all to become more mysterious
to dress the senile trees in kitschy fairy lights.
Real Pastoral
How good it must feel to play through the girls
thinks the dew, the corn, the well-informed blimps
but especially the handkerchief of dew in my skirt
as I play through the girls leaving divots in vulgar
touch-me-not shapes. Goodbye girls, I’ll see you
later in the place where your wings are trussed
and my limbs serve the devouring green.
I have a natural stroke that frees maidens first
whose jeans are riding up. Then I get to you,
because it’s only in the swing that one remembers
anything neutral, how showering at night
makes me one of those girls who can batter
a kiss into a ship, the ship into a fort
as I reach what I deem the most foreign land.