traci brimhall & brynn saito
The Library
Standing in the book aisle like a broken tulip,
searching for a history. What has happened
to your self from six years ago, and why
can't you remember the title of the book
that says a word once divided land from sea,
light from shadow? Every story is a door.
Run your fingers over the dusted spines
holding stories of wolf-hearted gods and glorious war.
How can you believe there are answers here?
Here, where villains teach you about heroes,
here, where the usual angel betrays the Lord for
the sake of a boy's beauty. You know all
the names for god, but you've forgotten how
to speak. Tonight, when the light goes, place
your two hands over your heart. A sadness
exists there that existed before language.
It will outlast you. It will outlast every page here.
Dusk comes, like a wise man. The library
is stone quiet but your mind is storm
in August. In the half-light, a hand appears
to write on the wall: Here is your sorrow and here
is how to survive it. Rising waters will one day
spare nothing, not even the word. Not even
your hunger—the only sign that you are living.
The Theater
This is where you saw women sing to reenact
their suffering, and men who wore wooden swords
taught you valor. The costumes are still
behind the curtain, so are the masks worn by players
to perform the heart's madness. When the girl on stage
wore god's many faces, you wept in relief.
How long have you waited to be shown your own
disfigured faith? How many years have you waited
to return to what you feared, like a child who hides
from the monster of its own making? Stage right,
a brutal wonderland. Stage left, the torn century.
Watch now your girlhood as it enters
with abundant despair and the ribbons you wore
to your father's funeral. Under the dust, you find
the sets of predictable tragedies: the star-crossed
balcony, the castle where the king banished
his firstborn, then searched for him everywhere. Return
to the dark and listen for the moan of the orchestra's
shy beginning. When the curtains rise for the third time,
you will see a casket inside a cradle and the feast
of shadows. The music that rises is alive with strings
and vowels. You won't understand what it means,
but it will sound like salvation. In your brightest hour,
you'll forget the fourth wall. You'll become
what you see now, and what your hear. The ideal shines
beneath the stage lights—the immaculate one, with
a burning heart and a broken rib. At the final bow,
the ingénue—her dress still torn, her arms burdened
with the ghosts of roses—bows for the clamorous audience
whose cries she hears but who she cannot see.